January 03, 2018

One

Every week, a little piece



A writer falters, questioning if only sadness could evoke the pretty words. Happiness, it seemed, filled her cup. She couldn’t draw from it for some reason. When the cup was empty, dried-up: corners cracking, bits of old coffee stuck at the rim and dregs of long-ago teas lying at the bottom, she saw webs in dried froth — of intrigue, mystery, forgotten things and unsaid words; and like a soothsayer, she prodded bits of the dregs, found fortunes and futures in them.

But what could one see in a full cup? A ripple now and then, maybe. But the calm sea stirred no story. It reflected back to her with content, her own joyous face. 

And so, to lament of the past and present, to wonder and ponder over the complete draught of words, she picked her pen to write. 

“A writer falters…,” she began.

April 04, 2017

On Writing

Nobody reads what I write anymore!
Apparently, they are into vlogs.
“Are you a youtube sensation?” they ask.
Words, they don’t matter anymore.
“What are the numbers you’ve got?”-
They want to know.
It’s just not about what I make them feel
But about how many likes to my tweet.


I wooed all my loves with words.
Measured moments
Writing reams
On scraps of tissue and
'One-sided papers' that my uncle gave
With punched holes running on the sides
Diligently, I filed them away
And rewrote them
On pretty diaries that no one wanted
And a blog that I still don’t know
How or why to 'monetize'!

Thirteen years on,
They still want to know
How popular my posts are.
“Maybe you could put your poems on Insta?”
“How about you make short films out of stories?”
“You have so much potential!”
I am glad to hear that, but
I wooed all my loves with words!

When did writing stop to rouse?

February 02, 2017

The Greatest is gone

My grandfather made all three of us granddaughters read 'The Hindu' newspaper from top to bottom. We may not have followed his advice entirely, but we did end up finding interest in specific columns and sections of the newspaper. In a way, everything I read and write today could be traced back to my newspaper habit.

One of the columns that made me begging for more was the 'Comment' section in the Sports Edition. The man who authored it was Nirmal Shekar - a writer beyond compare whose stronghold on the English language left me speechless. The truth was, I only watched cricket and had a working knowledge of tennis, and yet found myself always drawn to his column in The Hindu's sports section. He would bring in a poetry into his prose and make sports feel like a visceral, enchanting, memorable dance. He elevated every game and player he wrote about into conduits that tapped on some universal energy and made magic unfold in front of us. And he, performed that very magic through his words and we were left entranced.

I corresponded with a few journalists I admired, thanks to the kindness they showed to the giddy teenager I was. I had been reading him for a few years when, in this very blog, I had gushed about his writing amongst many others in The Hindu. He had encountered that post, browsed through some more of my writing and left this comment on my blog. 


Thrilled to bits (as I often used to get back in the day) I wrote back to him. He replied, patiently, to each and every question that I asked him. I had written, "I find it philosophically, intellectually and spiritually satisfying to read your writing." and he responded "My passion has always been to scratch the surface, dig deep and see sport (and people who play sport) for what it is. Sometimes I myself find my relentless pursuit of truth in all areas scary. It is better to keep dreaming like Sandhya!" "There is enough on the net though in my name to last several life times" he said, when I had asked him if he had a blog where I could read more of his words.

He was extremely down to earth, accessible and ever ready with a word of encouragement for a young aspiring writer like me. During that time, I was freelancing with The Viewspaper and took the opportunity to interview him. I still vividly remember his office - he was heading Sportstar then - and sitting in front of him, wide eyed and grasping on to every word he uttered. This was the greatest playing ground, the star was at his game and I was the enraptured audience. The conversation has always remained special to me and I revisit it every now and then to thrill over the fact that I actually pulled it off - meeting one of my favourite writers and interviewing him.

Moving to another city for my post graduation, I had somehow lost touch with him. My reading habit took a back seat, with films - watching, reading, making or writing about them - occupying the majority of my time. But once in a while, I'd google and catch up with his words, more often than not revisiting the ones I had cherished and cut out for safekeeping. They are still there in a bag at home - a precious memory of days I regaled his writing and of the first steps I took in building my love for words.

On 29th Jan 2017, as Roger Federer and Rafael Nadal matched wits on the court and my sports crazy husband was sitting at the edge of his seat, rooting for Federer, we spoke about Nirmal Shekar. I asked if I had made him read that piece of writing on Sampras that I keep going back to and he answered in the affirmative; I had read it out to him sometime during our initial days of courting. This is an excerpt:

Pete Sampras ascends the Everest of tennis By Nirmal Shekar LONDON, JULY 10. At three minutes to nine on Sunday evening, as night was licking its lips in anticipation before eating up what was left of the day for a sumptuous supper, in silver-grey rather than golden twilight, one of the truly extraordinary sportsmen of this or any era raised his arms skyward in a familiar gesture on the centre court at Wimbledon. Mark that moment - 8.57 p.m. to be exact, three minutes before 1.30 a.m. on Monday morning in India - for you'd find few like it in the entire history of organised sport. And, those of us privileged enough to have been a part of it on tennis' greatest stage, will perhaps find nothing to match it in the rest of our lives. It was a historic moment when all arguments ceased, a moment that answered one big question and many small questions, a moment that put an end to all comparisons. Step forward Mr. Pete Sampras, wet eyes notwithstanding...the greatest of 'em all! Argue if it pleases you, but the moment Pat Rafter failed to direct a Sampras serve back into the court in the men's singles final of the millennium championship in gathering gloom, arguments and comparisons became meaningless.

I then made a mental check to google what he had written about the Australian Open. Unfortunately, that article never came by. Four days later, my friend messages me saying Nirmal Shekar is no more.

Nirmal Shekar should have written a book, I thought with a pang after frantically googling to see if this horrible news was true. I was angry that he had died, that he had never written a book and that he had remained the undisputed king of sports writing to me.

When Muhammad Ali passed away, Nirmal Shekar had written,

"With all the revolutionary advances in medicine, they tell us that death may become optional in a few decades.
But that belief seems like a desperate attempt to turn daydreaming (to stop thinking about the terrifying certainty of eternal demise) into a form of science — gerontology.
But a few lesser mortals like some of us — who harbour no illusions and know that death is the end of everything for the individual — who have no access to multi-million dollar laboratories, and even less access to the latest findings that are being tested out do believe that we are all in queue, that one day we might have to vacate the tiny space that we occupy in a planet that the late, debonair scientist Carl Sagan called “The Pale Blue Dot.”
Then again, life would be much less invigorating, much less interesting, much less worth living if we were to rid ourselves of the notion that there are a few exceptions to the rule."

And just like Ali would always be immortal, your words will live on Nirmal, for you were the exception to the rule yourself, making us look at sports writing like no one else could. Wherever you are, we know you must be digging deeper to uncover the truth. I just wish, that somehow we could still continue to read about all the things you find in those realms. To think there will no more be your 'Comment' on things is deflating.

I hope somebody compiles and publishes his writing so that generations in the future will understand what made us all open the newspaper last page first.

Thank you, Nirmal, for your restless pursuit and inspiration! You will be missed.

(The title is a copy of his ode to Muhammad Ali. To me, Nirmal Shekar was the greatest in his field, and this little imitation is my way of paying my respects to the man and his irreplaceable incomparable writing)

October 01, 2016

Book Review:


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Harry Potter and the Cursed Child - Parts One and Two by John Tiffany
My rating: 5 of 5 stars

For the sheer nostalgia, for reintroducing us to Hogwarts, for making us wish this series had never ended so we never had to experience this bittersweet feeling, I rate this a five on five.
Scorpious Malfoy is a delightful addition while many of our usual suspects aren't as spicy as one would like them to be. There is a lack of descriptions, of the quirky tidbits that Rowling amply uses in Thorne's prose. While as a play one can imagine the wondrous stagecraft it could induce, as a book, it falls short of conjuring the rich details that the Potter books generally come with.
What is still beautiful is the magic. Hogwarts is still alive, in a better less darker world. It is unconvincing and insufficient in many parts making us crane our necks to see the sidelines for what Thorne missed to add. What is Hagrid upto now? Are Molly and Arthur still around? How is George holding up? And why are Harry's other two kids so insignificant? In a play, the above questions can easily be pushed to the backstage. As a book (although simply a script), you demand that we engage more. After all, we've been around, ever since ' The Boy who Lived'.

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August 12, 2016

Book Review: Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert


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Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert
My rating: 5 of 5 stars

This book was just what I needed to pull me out and get me to face what I should become - a disciplined half-ass! I tried it as an audiobook and Gilbert's voice sure made the book more personal. I felt like a friendly senior writer, who I often have coffee with in the college canteen, was chatting with me and passing on the wisdom.

The whole book is wrapped on that idea - to get you to intimately view the creative process and become acquainted with it; not demonise it into a warped depression-loving monster that many of us shape it into. I loved the anecdotes she had dispersed across the book - they made every point she made more relatable and instilled a "hey, I can do that!" kind of confidence within.

If you are a writer/artist/pursuer of any type of creative living, this is definitely a book you should listen/read. I highly recommend the audiobook, but I am sure reading this is going to be extremely pleasant, as well.

Overall, her book already got me to begin writing a few pages everyday and that loosely translates to the fact that the big magic is a fact! :)

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May 05, 2016

Truly Transporting Prose: Purple Hibiscus by Chimamanda Ngozi Adichie: A Book Review


Book Review of Purple Hibiscus by Chimamanda Ngozi Adichie
Purple Hibiscus by Chimamanda Ngozi Adichie
My rating: 5 of 5 stars

Purple hibiscus was a window into the life and politics in Nigeria through the eyes of Kambili, the narrator. I haven't encountered an author in recent times who could captivate me in a way that I forgot my surroundings, and instead smelt the fufu cooking in Sisi's kitchen or the wet sand of Nsukku's rain. Adichie's prose is simple yet transporting, so intimate that you get into the garb of the characters and throb with their pain and joys.

The characters are so intricately etched that you are invested in the story throughout, egging them on mentally as you turn every page. The book makes you hungry to try out the African cuisine. I searched the internet to source a place where I can buy their colourful wrappers. And while I am at it, maybe I will try some cornrows in my hair as well! Adichie is that good in convincing us about the beauty, tradition and richness of the land.

Kambili's thoughts - from fearful to independent - are so gently evolving that we, as readers also grow with her and the story. The political instability of an entire nation is wonderfully portrayed in the microcosm of Kambili's life.

The best characterisation is probably that of Eugene; you definitely have not seen such a layered believable and scary human being anywhere in the books. The dichotomy in which religion exists in today's world - destructive and constructive - is displayed in the contrasting natures of Eugene and Father Amadi.

I cannot stop thinking about the book although it is over a week since I finished reading it. This is a simple tale so well told that it keeps tugging at your insides asking questions on life, religion, growing up and truth.

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April 21, 2016

The True Art Of Filmmaking- In the Blink of an Eye by Walter Murch: A Book Review

In the Blink of an Eye by Walter Murch
My rating: 5 of 5 stars

Walter Murch is a kindred spirit. He effortlessly blends philosophy and films, magic and editing and brings forth a book that arouses the thinker in you.

His words make you curious enough to trace paths across movies you have loved and wonder at how much was planned and how much emerged out of inexplicable coincidences. He redefines everything you thought about films; every blink matters and a film is as immersive as the dedication and submission of its crew to its making.

The insights are not just in films but spills over to such lengths and breadths of life and choices that I was blown over by this man's intelligence.

Every filmmaker and writer needs to read this - this is a Bible on craft!

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April 11, 2016

The Absorbing Non-Fiction Novel -In Cold Blood by Truman Capote: A Book Review


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In Cold Blood by Truman Capote
My rating: 5 of 5 stars

Brilliant and evocative with detailed psychological descriptions, In Cold Blood by Capote is one of the best I have read on crime. So used to the 'detective' mileu I devoured as a child, this sensitive, engrossing and striking account of a cold-blooded murder of the Clutter family in Holcomb made a refreshing literary change.

'In Cold Blood' is intense and viscous. What is most astounding about this book is its narrative structuring, flow and the neutrality of tone in profiling murderers; all of it adding up to chill you to the bone!



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An Endearing Biography Of A Dog - The Call Of The Wild by Jack London: A Book Review


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The Call of the Wild by Jack London
My rating: 4 of 5 stars

It is always a good idea to drift off your comfort zone and attempt a new genre. When I picked up Jack London's 'The Call of The Wild' it was as much a dare to myself as it was the comfort that it was a thin volume even if it didn't work on me.

I was pleasantly surprised as I got pulled more and more into the life of the half St. Bernard, half Scotch Shepherd, Buck. His growth in character and sheer physical strength through his diverse adventures riveted me.

Be it the bleak icy trails or the forest teeming with lives, they were descriptive enough to make one feel like they are witnesses to the landscapes. One is in Buck's mind throughout - one could hear the calls of his ancestral wolf packs as much as he did - such was the magic of London's vivid prose.

The book held me in its clutches in a manner not unlike Buck holding Thornton's hand between his teeth in wild loyal love.

The Call of The Wild is a brilliant book about the life of a dog that also raises pertinent questions on how we treat the non-human life around us. A must read!

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A textured masterpiece! Love in the Time of Cholera by Gabriel Garcí­a Márquez: A Book Review


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Love in the Time of Cholera by Gabriel Garcí­a Márquez
My rating: 4 of 5 stars

There is a texture to this book. During the younger days of Fermina Daza and Florentino Ariza, it is smooth- like notes of a song, the soft touch of silk and pears. Their middle ages are like the almonds that are referenced in the book - hard shelled and grainy. And old age is amoebic, shifting textures every day, unpredictable, even wild.

The book absorbed me with its details, made me smell, taste, feel the lives the protagonist lived. Although in parts, I felt the love of Ariza's a little impossible to comprehend and laborious, I simply could not stop reading. you are so drawn into their lives, witnessing the old world ways of courtship, love and waiting that it is a shock when you put it down and realize you live in a different one.

The book is lush; meant only for those who want to get lost in the pages and the labours of love.
It is a beautiful book, but quite a long read!

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© Dryad's Peak
Maira Gall